These are no-look photos taken with the camera held down by my hip. Contrary to what the number may seem to imply, I was a little more selective in what I posted this time. I'm still getting a feel for what I like in these.
One thing I forgot to mention in the earlier hip shot entry is that pary of what made me want to do this was a photo exhibit I saw of shots taken of people while they watched a train line being dismantled (in the 1930's?). It was just people sitting and looking, but that was enough to get a sense of the time and the people.
I wonder how much of these photos I'm not appreciating because I live in the time they were taken so I take some of their information for granted. Anyway, while I don't think the Smithsonian is going to come knocking any time soon, I do think that people photos deal on more levels than just the aesthetic (an elementary statement, but such is the way with self-teaching).
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He's describing an item of clothing, particularly how it fit the bust.
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Holding the camera too low can feel a little "upskirt" if you know what I mean, but I like this one for the word on the bag. If I push the replay button with this woman spring to her feet with new energy?
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Cell phones are surely one of those things we don't notice now that future generations will smirk at.
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When I walked past they were speaking animatedly to each other in Spanish. It's strange to me that the photo came out showing them barely even looking at each other.
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She is wearing holey jeans similar to the ones in the window.
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What colors! Did the woman with the orange hair know she was sitting in front of an orange door?
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This photo came out way too disorganized, but this old couple was really cute. It looks like the subject is the blonde woman, which I think makes this shot best appreciated for its symbolism than for its composition (unfortunately, one out of two doesn't make for a good photo).